lucyrailton

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	<title>lucyrailton</title>
	<link>https://lucyrailton.com</link>
	<description>lucyrailton</description>
	<pubDate>Mon, 14 Apr 2025 20:51:52 +0000</pubDate>
	<generator>https://lucyrailton.com</generator>
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		<title>Indifferent Rocks</title>
				
		<link>https://lucyrailton.com/Indifferent-Rocks</link>

		<pubDate>Tue, 13 Dec 2022 17:32:11 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Indifferent-Rocks</guid>

		<description>‘Indifferent Rocks Are Rearranged into a Dam’, quadraphonic composition with Max Eilbacher commissioned by ISSUE PROJECT&#38;nbsp;New York, 2022 for ‘Distant Pairs’ series.&#38;nbsp; First presented at Fridman Gallery, NYC, October 27th 2022. &#38;nbsp;
&#60;img width="843" height="552" width_o="843" height_o="552" data-src="https://freight.cargo.site/t/original/i/6406f39772cbb845ca9cfebe1c40516cd4d6241cfdcf4f851c4c8865804d11fa/Screenshot-2023-01-14-at-22.16.15.png" data-mid="164724244" border="0"  src="https://freight.cargo.site/w/843/i/6406f39772cbb845ca9cfebe1c40516cd4d6241cfdcf4f851c4c8865804d11fa/Screenshot-2023-01-14-at-22.16.15.png" /&#62;
Indifferent Rocks Are Rearranged into a Dam takes various - and sometimes competing - understandings of “Interval”, “isolation” and “distance” as its point of conceptual and compositional departure. Taking its title from a line in Elaine Scarry’s book The Body in Pain, Indifferent Rocks… explores different forms of detachment and abstraction present both in the piece’s making, as well as the post-pandemic cultural environment in which it was composed. We were interested in the perceptual limit of comprehending distances both social and musical: between speakers in a room; between partials; between attacks and isolated electronic tones; between virtuosity and fixed media; between performance separated by an ocean to its playback.

The tonal breadth of Lucy’s cello spectra was analyzed and digitally resynthesized as a collection of partials. For the initial analysis process, cello passages of quick fluctuating pitch were chosen. We wanted to break down and approach the sonorous materiality of the cello as a non-musical object. 

 By breaking down the cello into indifferent materials -only to then rearrange and mimic its musical gestures, we wanted to see how meaning can be divested and then reimbued, with an ear to questioning that precise process of “reconstruction” of meaning: just as rocks are indifferent to containing and holding water “for us” until they have been placed into the configuration of a dam. 

By focusing on the minutiae of the sound - “zooming in” - the spectral gaze renders the cello as raw inharmonic material. From these collected pitch sets, the distance between each frequency was calculated to construct a harmonic system by which sound was synthesized. At that point, what form could be given to arrange these static tones, to give them life: does that life require re-approximating the sound of its source, a kind of mimicry of cello as “authentic” source, or is there another kind of life that can be wrenched from these soundings? In oscillating between these two poles we hoped to reframe the listeners’ relationship with a pitched instrument. We wanted to tease the boundaries through which the cello becomes experienced. The simplified synthetic tones, intervallicaly arranged against Lucy’s cello parts are the means by which the distance between cello, synthesis, and sonic meaning are ascribed significance. 

Since we were already preoccupied with the uncanny distances between source and output, original and resynthesized mimic - the reductions and slips required in bridging that distance - we felt it suitable to document the multi-channel piece via a simple recording of the abstracted aural gaze of others. Four speakers become two ears, a multi-channel field is reduced to stereo and multiple perceiving bodies in the Friedman Gallery are now simply the back’s of heads, watched by two eyes on a screen.</description>
		
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		<title>Press </title>
				
		<link>https://lucyrailton.com/Press-1</link>

		<pubDate>Mon, 29 Aug 2022 12:27:14 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Press-1</guid>

		<description>
	Album reviews


BLUE VEIL (Ideoligic Organ 2025)
&#38;nbsp;
Pitchfork - 7.7 album review 
“Breathtaking”

Pitchfork - review 8 New Albums You Should Listen To


“On Blue Veil, the British composer coaxes earthy tremors from the cello, turning the sound of bow scrapes and resonant harmony into a languid psychic expanse.”


The Guardian - review


“Guaranteed class from the British cellist’s solo debut”

The Wire - review


“Blue Veil advances gradually through its seven phases, remaining firm and steady at its foundations, while fluttering gently through, radiating unprecictable gleams of harmonic nuance”


The Quietus - review


“More than anything else, its textures evoke a certain scenery: the sun setting, a river flowing, the faces of people passing by. Blue Veil has a cinematic sense of tension”


Futurism Restated - Philip Sherburne’s Record of the Week 


“Railton’s intonation studies feel starker and sterner, as well as almost deliriously, superhumanly attuned to the nuances of their vibrations”


Zensounds - interview with pick up on 
Futurism Reinstated and First Floor


“Lucy Railton is a British cellist and composer that has carved out a unique artistic space for herself over the past two decades.”


Crack - review by Rrose


“When someone who has mastered an acoustic instrument, as British musician and composer Lucy Railton has with the cello, then uses it to explore the full extent of its timbre via extended tones, I am generally all over it”


Libération - extensive interview 


5 S-Bahn (Boomkat 2020)
Das Filter


Paradise 94 (Modern Love 2018)
AQNBResident Advisor
Fluid Radio
Tiny Mix Tapes
Silence and Sound
The Quietus


Subaerial (SN Variations 2021)The Wire
A Closer Listen 
The Quietus

Citizen Jazz
Esoteros

Salt PeanutsBoomkat
IRM
MikikiForma (Editions Mego/GRM SP 2020)
Dusted Magazine

	
Interviews
 
Ele-King 2023
Tone Glow 2023
Les Nouveaux Riches 2024Features

The Vinyl Factory Factmag
Redbull The Wire
NOT A WORD FROM ME live show -&#38;nbsp;with Charlie Hope (lights and Rebecca Salvadori (video)
Crack Magazine - &#38;nbsp;feature&#38;nbsp;

CLOT magazine - feature&#38;nbsp;

&#60;img width="5493" height="3672" width_o="5493" height_o="3672" data-src="https://freight.cargo.site/t/original/i/49e403f1ef90bb0aa2a71a35da4ca38c0bd55fbc463f927bee8991bed2fe3901/Lucy-Railton--Francis-Fuego.jpg" data-mid="198712209" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/49e403f1ef90bb0aa2a71a35da4ca38c0bd55fbc463f927bee8991bed2fe3901/Lucy-Railton--Francis-Fuego.jpg" /&#62;Portrait Lucy Railton © Francis Fuego&#60;img width="2669" height="2136" width_o="2669" height_o="2136" data-src="https://freight.cargo.site/t/original/i/3e65d15f4cd3caef9997f7e358f1f65956b5d2941be0963a5a54763a5753ffef/Lucy-Railton--Rebecca-Salvadori_1_landscape.jpg" data-mid="198712289" border="0"  src="https://freight.cargo.site/w/1000/i/3e65d15f4cd3caef9997f7e358f1f65956b5d2941be0963a5a54763a5753ffef/Lucy-Railton--Rebecca-Salvadori_1_landscape.jpg" /&#62;Portrait Lucy Railton © Rebecca Salvadori
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/572d6c6682ec21d2b5b5972205a025c7eff37d8c1a2f8817aa6fbcb32878da0f/Lucy-Railton--Cristina-Marx.JPG" data-mid="163460914" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/572d6c6682ec21d2b5b5972205a025c7eff37d8c1a2f8817aa6fbcb32878da0f/Lucy-Railton--Cristina-Marx.JPG" /&#62;Portrait Lucy Railton © Cristina Marx</description>
		
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		<title>Releases</title>
				
		<link>https://lucyrailton.com/Releases</link>

		<pubDate>Mon, 23 Apr 2018 19:18:24 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Releases</guid>

		<description>
	Blue Veil
Solo album, April 2025 on Ideologic OrganCover art: Jose M Spínola
More information
&#60;img width="3500" height="3500" width_o="3500" height_o="3500" data-src="https://freight.cargo.site/t/original/i/b0c703ac2f3a8c4ce8ae37618b7b5a29f2e6237c9b5d8df7da44e01fd08347b2/LucyRailton_BlueVeil_artwork_SOMA063_cvr.jpg" data-mid="229790629" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/b0c703ac2f3a8c4ce8ae37618b7b5a29f2e6237c9b5d8df7da44e01fd08347b2/LucyRailton_BlueVeil_artwork_SOMA063_cvr.jpg" /&#62;

Corner DancerSolo album, November 2023 on Modern LoveCover art: Rebecca Salvadori &#38;nbsp;
More information&#60;img width="3685" height="3685" width_o="3685" height_o="3685" data-src="https://freight.cargo.site/t/original/i/04e29976f438b7bbb9632ea9bebbbf22c63e5f11255c7afc1940274fa2b278e3/Cover.jpg" data-mid="198712132" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/04e29976f438b7bbb9632ea9bebbbf22c63e5f11255c7afc1940274fa2b278e3/Cover.jpg" /&#62;

Fragments of ReincarnationDuo album with Michiko Ogawa (Shō and Hammond Organ). 
July 2023 on Another Timbre. Cover art: Angie Jennings&#38;nbsp; 
More information&#60;img width="1417" height="1358" width_o="1417" height_o="1358" data-src="https://freight.cargo.site/t/original/i/c22f23e466d1f46b573f9a8464ed8a7823b9958f26425db928e4efc966f19fe9/at213-front-cover.jpg" data-mid="190873773" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/c22f23e466d1f46b573f9a8464ed8a7823b9958f26425db928e4efc966f19fe9/at213-front-cover.jpg" /&#62;
SubaerialDuo album with Kit Downes (Organ). August 2021 on&#38;nbsp;SN Variations. Cover art: Maya Rochat. 
More information
&#60;img width="945" height="945" width_o="945" height_o="945" data-src="https://freight.cargo.site/t/original/i/7cea6962eef0e5ecbfbb62617bf3cd5c885414999253f6250f3c1258421982ab/SQ-Low-Res-Mayarochat_Time-Gate_from-the-series-LIVING-IN-A-PAINTING_2019.jpeg" data-mid="118847797" border="0" data-scale="63" src="https://freight.cargo.site/w/945/i/7cea6962eef0e5ecbfbb62617bf3cd5c885414999253f6250f3c1258421982ab/SQ-Low-Res-Mayarochat_Time-Gate_from-the-series-LIVING-IN-A-PAINTING_2019.jpeg" /&#62;5 S-BahnCassette and blue vinyl release. September 2020 
Boomkat Editions &#124; Documenting Sound. 
More information


&#60;img width="1386" height="1384" width_o="1386" height_o="1384" data-src="https://freight.cargo.site/t/original/i/e85577ba4e87deab3541f29b8fcf3312d6033dbeeefa6443fad4157245b94f9e/cargo-s-bahn.jpg" data-mid="213407689" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/e85577ba4e87deab3541f29b8fcf3312d6033dbeeefa6443fad4157245b94f9e/cargo-s-bahn.jpg" /&#62;
Paradise 94Solo album, vinyl
 released March 2018 on Modern Love.Cover art: Rebecca Salvadori. 
More information

&#60;img width="1417" height="1417" width_o="1417" height_o="1417" data-src="https://freight.cargo.site/t/original/i/a56a7283fffc2a57ea9112f9fb2ade2dd808adb7d54fdafbb3dec8c851068378/Cover-Image-1.jpg" data-mid="105749222" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/a56a7283fffc2a57ea9112f9fb2ade2dd808adb7d54fdafbb3dec8c851068378/Cover-Image-1.jpg" /&#62;

FormaMultichannel tape and live cello. 
Commissioned by INA GRM. 
Split release with Max Eilbacher, released 2020 on GRM Portrait Series / Editions Mego.
More information

&#60;img width="2489" height="2537" width_o="2489" height_o="2537" data-src="https://freight.cargo.site/t/original/i/434d2de5607a8ae45d156ec708c238927743b1aca9839fb4a22b371f73eb7771/Forma-Artwork.jpg" data-mid="148299003" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/434d2de5607a8ae45d156ec708c238927743b1aca9839fb4a22b371f73eb7771/Forma-Artwork.jpg" /&#62;

RFG Inventions for Cello and ComputerA collaboration with Peter Zinovieff, released February 2020 on PAN.&#38;nbsp; Co-produced with ZKM.&#38;nbsp; Artwork by Johannes Schnatmann &#38;amp; Bill Kouligas. 
More information

&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cbbf939fc43a4bb2345bc27562a5cd8f4b785416c11b5bcea662553c0c898bbd/PETER_ZINOVIEFF_LUCY_RAILTON_PAN90_frontcover.jpg" data-mid="148718540" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/cbbf939fc43a4bb2345bc27562a5cd8f4b785416c11b5bcea662553c0c898bbd/PETER_ZINOVIEFF_LUCY_RAILTON_PAN90_frontcover.jpg" /&#62;

Olivier Messiaen - Louange à l'éternité de Jésus10 inch black Vinyl / Digital. Released June 2020 on Modern Love.&#38;nbsp; 
Artwork by Anton Bialas and Kamilya Kuspanova.&#38;nbsp; More information

&#60;img width="3685" height="3685" width_o="3685" height_o="3685" data-src="https://freight.cargo.site/t/original/i/506258c0072e5952e0524e96249da1458719173da751b4523ef376ec6288eeab/LOVE115_Distribution.jpg" data-mid="105749247" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/506258c0072e5952e0524e96249da1458719173da751b4523ef376ec6288eeab/LOVE115_Distribution.jpg" /&#62;


Lament in Three PartsSolo album, released May 21 2020 on Cafe Oto's digital label TakuRoku.&#38;nbsp; Artwork by Billy Steiger and foreword by Sophie Fetokaki. 
More information&#38;nbsp;
&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/b43f390253673f34f92805a9e15fccb613bb48e0ad966ac13733f523e059f79b/tr014-lucy-railton-cover_colour.jpg" data-mid="105749254" border="0" data-scale="62" src="https://freight.cargo.site/w/600/i/b43f390253673f34f92805a9e15fccb613bb48e0ad966ac13733f523e059f79b/tr014-lucy-railton-cover_colour.jpg" /&#62;


Scelsi EPFeaturing Giacinto Scelsi’s ‘Duo for violin and cello’. Released 2016 on SN Variations. Also Chris Watson‘s ‘Invertebrate Harmonics’ and Honshirabe 本調 performed by Joe Browning. 
 More information

&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f0e349aa5028e44d824e9d910d84741dbe1d5073cde0045a6f9a3f7b5b022742/scelsi-ep.jpeg" data-mid="131380973" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/f0e349aa5028e44d824e9d910d84741dbe1d5073cde0045a6f9a3f7b5b022742/scelsi-ep.jpeg" /&#62;


Three Or OneThe music of J.S. Bach. Released October 2021 on ECM NEW SERIES.Fred Thomas (piano), Aisha Orazbayeva (violin), Lucy Railton (cello).&#38;nbsp; 
 More information
 
&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/c1fc1ba82c0d602117832969ce1fef99a534282a10e72d36fb15291a5d3fb018/ecm-cover.jpeg" data-mid="148295826" border="0" data-scale="62" src="https://freight.cargo.site/w/800/i/c1fc1ba82c0d602117832969ce1fef99a534282a10e72d36fb15291a5d3fb018/ecm-cover.jpeg" /&#62;


False PositiveOriginal Sound Track, ‘False Positive’ A24 films. Released 2021 on Lakeshore Records 2021.&#38;nbsp; &#38;nbsp;A collaboration with Yair Elazar Glotman.
More information
&#60;img width="776" height="770" width_o="776" height_o="770" data-src="https://freight.cargo.site/t/original/i/a0b8a1900a6a699e7909fe01b75e9b1dcc442593b2e87488e39913489a07955f/Screenshot-2022-02-20-at-22.31.56.png" data-mid="134139642" border="0" data-scale="63" src="https://freight.cargo.site/w/776/i/a0b8a1900a6a699e7909fe01b75e9b1dcc442593b2e87488e39913489a07955f/Screenshot-2022-02-20-at-22.31.56.png" /&#62;


	Featuring on &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Laurel Halo ‘Atlas’ (Awe 2023)&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Abgail Toll ‘Matrices of Vision’ (Shelter Press 2023)               Alvin Lucier ‘Works for the Ever Present Orchestra Vol. II’ (Black Truffle 2023)&#38;nbsp; &#38;nbsp; &#38;nbsp; 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Kali Malone ‘Does Spring Hide Its Joy’ ft Lucy Railton and Stephen O’Malley (Ideologic Organ 2023)
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Michiko Ogawa ‘Junkan’ (Marginal Frequency 2022) 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Petter Eldh ‘Koma West’ (Wejazz 2022)
Taku Sugimoto ‘Octet’ (Meenna, 2021)&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; HELM ‘Axis’ (Dais Records, 2021)
 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Hala Wardé ‘A Roof for Silence’ (Soundwalk Collective, 2021
Christian Lillinger ‘Open Form for Society’ &#38;amp; ‘Open Form for Society LIVE’ (Plaist, 2021)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Kassel Jaeger ‘Swamp’ (Shelter Press, 2021)
 PPDIII ‘Pilled up on a couple of doves’ (Shelter Press, 2021)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Kit Downes ‘Dream Life of Debris’ (ECM 2020)
&#38;nbsp; &#38;nbsp; &#38;nbsp; Catherine Lamb ‘Prisma Interius VIII’ (Sacred Realism, 2020)
&#38;nbsp; Yair Elazar Glotman &#38;amp; Mats Erlandsson ‘Emanate’ (130701, 2020)
Rhodri Davies ‘Transversal Time’ (Confront Records, 2020) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Bryn Harrison ‘Time Becoming’ (as member of Ensemble Contrechamps) (Neu Records 2019)
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Beatrice Dillon ‘Workaround’ (PAN, 2019)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Trondheim Jazz Orchestra with Sofia Jernberg &#38;amp; Olav Mjelva (Heilo, 2019)&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Alex Hills ‘Some States Can Be Resolved Rhythmically’ (Carrier Records, 2013)


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	<item>
		<title>Paradise 94</title>
				
		<link>https://lucyrailton.com/Paradise-94</link>

		<pubDate>Wed, 29 Jun 2022 17:17:27 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Paradise-94</guid>

		<description>Paradise 94
Debut solo album released 2018 on Modern Love.&#38;nbsp;www.modern-love.co.uk
Available in digital and vinyl formats at BoomkatThe album features Beatrice Dillon on acetone drums on 'To The End', Gard Nilssen on cymbals and glass samples recorded and provided by Nicolas Becker on ‘The Critical Rush’. Organ extract on 'For J.R.' (Erbarm dich mein, o Herre Gott) is composed by J.S. Bach and performed by Kit Downes, drain pipe is performed by Koichi Makigami.

&#60;img width="2002" height="1998" width_o="2002" height_o="1998" data-src="https://freight.cargo.site/t/original/i/ce8770c8130dab1f64b8e0ed647e298e520f198e13eef138ff75d91c1abfe222/Screenshot-2022-07-24-at-19.41.37.png" data-mid="148653330" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/ce8770c8130dab1f64b8e0ed647e298e520f198e13eef138ff75d91c1abfe222/Screenshot-2022-07-24-at-19.41.37.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Artwork by Rebecca Salvadori</description>
		
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		<title>Awards</title>
				
		<link>https://lucyrailton.com/Awards</link>

		<pubDate>Fri, 18 Mar 2022 13:02:40 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Awards</guid>

		<description>Awards: 

2022&#38;nbsp; &#38;nbsp; ASCAP Screenwriter Award for ‘False Positive’, film score for A24 production ‘False Positive’, with Yair Elazar Glotman.&#38;nbsp;
2021&#38;nbsp; &#38;nbsp; Arbeitsstipendien Ernste Musik und Klangkunst from the Senatsverwaltung für Kultur und Europa.
2017&#38;nbsp; &#38;nbsp; Jerwood Choreographic Research Project for ‘Everything that rises must dance’, with Sasha Milavic Davies.
2014&#38;nbsp; &#38;nbsp; Fellow of the Royal Academy of Music, London.&#38;nbsp;
</description>
		
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	<item>
		<title>Blue Veil</title>
				
		<link>https://lucyrailton.com/Blue-Veil</link>

		<pubDate>Mon, 14 Apr 2025 20:51:52 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Blue-Veil</guid>

		<description>Blue Veil - new album release - April 2025&#60;img width="3500" height="3500" width_o="3500" height_o="3500" data-src="https://freight.cargo.site/t/original/i/ca99b0ac938ee87bcce0b54d9e1f870957c277ec88e45c6bbb5a55335cc1d92d/LucyRailton_BlueVeil_artwork_SOMA063_cvr.jpg" data-mid="229790627" border="0"  src="https://freight.cargo.site/w/1000/i/ca99b0ac938ee87bcce0b54d9e1f870957c277ec88e45c6bbb5a55335cc1d92d/LucyRailton_BlueVeil_artwork_SOMA063_cvr.jpg" /&#62;
Photo by Jose M Spínola

PurchaseBandcampBuy Local / StreamingDetailsPhase I 4:19Phase II 4:23Phase III 8:58Phase IV 5:15Phase V 2:54 Phase VI 4:51Phase VII 9:11Composed and performed by Lucy Railton Recorded by Kali Malone &#38;amp; Stephen O’Malley June 2024 Premix edit by Joshua Sabin August 2024 Mixed by Marta Salogni September 2024 Mastered &#38;amp; cut Rashad Becker November 2024 Album cover photo by Jose M Spínola / Back cover photo Matt Creed Produced by Kali Malone &#38;amp; Stephen O’Malley Thank you Nicolas Becker, Hampus Lindwall, Zoe Miller, Marcus PalMusician and composer Lucy Railton presents the first release to document her solo cello works, Blue Veil , a deeply intimate, meditative set of compositions recorded at Église du Saint- Esprit in Paris. Recorded by Kali Malone &#38;amp; Stephen O'Malley, mixed by Marta Salongi, mastered by Rashad Becker. The first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination. &#38;nbsp;Blue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound. Railton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally dense space.&#38;nbsp; &#38;nbsp;Railton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.&#38;nbsp; &#38;nbsp;Blue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others. Ideologic Organ &#124; 2022 - 2025</description>
		
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		<title>5 S-Bahn </title>
				
		<link>https://lucyrailton.com/5-S-Bahn</link>

		<pubDate>Sun, 06 Mar 2022 18:46:35 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/5-S-Bahn</guid>

		<description>Blue vinyl, edition of 500 copies. Recorded, mixed &#38;amp; performed by Lucy Railton, newly mastered by Rashad Becker, with an instant download dropped to your account. Printed on matt laminate card stock w/ printed inners, featuring photos by Petter Eldh.Boomkat Product Review:Newly remastered by Rashad Becker for this vinyl edition, ‘5 S-Bahn’ finds Lucy Railton rendering a sublime, haunting impression of Berlin made in early Spring 2020 for our Documenting Sound series of sonic postcards from around the globe. It’s essentially a recording of a world-renowned cellist duetting with the S-Bahn outside her apartment in Prenzlauer Berg, playing with, thru, and against the atmosphere of Berlin in spring during lockdown, capturing a scene that feels timelessly nostalgic, pregnant with an unresolved and restless quietude.&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/57cbed6de89be36dade888d12ac59dd23ea888d807829fc3eeb153709ae77d2a/unnamed.jpg" data-mid="135483010" border="0"  src="https://freight.cargo.site/w/1000/i/57cbed6de89be36dade888d12ac59dd23ea888d807829fc3eeb153709ae77d2a/unnamed.jpg" /&#62;‘5 S-Bahn’ was completed in April 2020 as a part of the 'Documenting Sound' cassette series, initiated by Boomkat just at the moment when the whole year ahead was falling away and lockdown had firmly come in to place. The invitation made the early shock a little more bearable and for a while, it helped bypass the first creative lulls that threatened to define the months ahead. It also started a process of familiarisation with the location I am living in and with the dialogues we have - consciously and subconsciously - with our environment. 

On the other side of our backyard wall is Berlin’s main railway line, the Ringbahn. A train passes the apartment block about twenty times an hour, drowning out our conversations and waking us up at night. It is a communal annoyance you learn to love. It structures the shape of this place and enforces a rhythm. I’ve always been glad of these interludes, they provide rich listening material that heightens an otherwise peaceful sonic space. ‘5 S-Bahn’ is my attempt to inscribe part of my sonic location and my own position within it. 
By accident this is the second time I’ve ended up living by a busy train line. The first was in Hackney Wick in London. I was short-term living on my own in a studio with an industrial window wall that pretty much touched the safety rails of the train platform. I saw legs, dogs and the Overground Line for most of the day. It was strange being the bystander of a scene like this - what people do on platforms - I got used to their waiting and escaping. Sonically though, things were their best at night. Then it was Maersk and Delphis and other blurry cargo containers, momentarily paralysing us tenants as the noise of the passing freights peaked, sometimes in awkwardly long sustains, long enough that you could fall back to sleep inside them. These sonic treats were (almost) a comfort and, for us neighbours, these freight tremors brought a kind of communion as we endured their assaults together in our sleep, a bizarre way for us to connect, though I might have been the only one to romanticise them in this way. 
In Berlin, the setting isn't as intense. Here, there's a distance and a wall separating the backyard and the tracks. I have to climb it to mount the recording equipment. Over the wall, I learn the look of the garage, the church, the rows of Maple trees, the tracks, a playground and the graffiti. Up here, the traffic on Schoenhauser Allee is more pronounced and the deep hum of the city funnels in along the tracks. The machines and people who had been in our ears all this time are now visible.&#38;nbsp; Pressing record I start the process of learning this space and its articulations, hearing it washed out over and over again by the train’s intense interruptions. I wash out with it too, listening from inside my apartment with my headphones on, playing along, singing along, in duet with the tones and frequencies of this space and the organic shapes of its drama. There is so much music already here, maybe this is a collaboration or a dedication of some sort. I find myself admiring its virtuosity and its personality: relentless, seductive, beautiful in all its variation. By taking part in collaboration, I learn and absorb the character of the other, and through the sitting process, I find new shapes and tonalities and temperaments. 
This record is a kind of five-part sharing of that learning. It was recorded on April 6th and 7th, 2020, from the wall of our backyard in Berlin. Cello and voice recorded indoors at the same location. Special thanks to Boomkat, Shlom, Petter, Deutsche Bahn and my neighbours on Lychener Straße.
Recorded, mixed, performed by Lucy Railton. 
Photo by Petter Eldh.


&#60;img width="1390" height="1379" width_o="1390" height_o="1379" data-src="https://freight.cargo.site/t/original/i/cb2dba38b56d18f81ecffa9b76bb1f1b14b38f8e80d2e55c881369c7b953a5ee/2.jpg" data-mid="168954441" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/cb2dba38b56d18f81ecffa9b76bb1f1b14b38f8e80d2e55c881369c7b953a5ee/2.jpg" /&#62;</description>
		
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		<title>Corner Dancer</title>
				
		<link>https://lucyrailton.com/Corner-Dancer</link>

		<pubDate>Mon, 24 Jun 2024 14:43:21 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Corner-Dancer</guid>

		<description>&#60;img width="3685" height="3685" width_o="3685" height_o="3685" data-src="https://freight.cargo.site/t/original/i/a3368f4b397887318d01acdf60aa23b8c29a23d59ea6039916423783f2913daf/love128_Distribution_Preview_1jpegversion.jpg" data-mid="213502768" border="0"  src="https://freight.cargo.site/w/1000/i/a3368f4b397887318d01acdf60aa23b8c29a23d59ea6039916423783f2913daf/love128_Distribution_Preview_1jpegversion.jpg" /&#62;Cover artwork by Rebecca SalvadoriCorner Dancer&#38;nbsp;Solo album released 2024 on Modern Love,&#38;nbsp;www.modern-love.co.uk&#38;nbsp;Available in digital and vinyl formats at Boomkat
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		<title>Performances</title>
				
		<link>https://lucyrailton.com/Performances</link>

		<pubDate>Tue, 24 Apr 2018 10:26:24 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Performances</guid>

		<description>
	2020&#38;nbsp;2019&#38;nbsp;2018 and pastConcerts
June 20269. 10.&#38;nbsp;Does Spring Hide Its Joy &#38;nbsp; &#38;nbsp; &#38;nbsp; by Kali Malone ft Stephen O’Malley &#38;amp; Lucy Railton&#38;nbsp; &#38;nbsp; &#38;nbsp; Ircam, Paris
May 2026

21. Duo with Tim Etchells, KW, Berlin
15.&#38;nbsp;Not A Word From Me&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; with Rebecca Salvadori (video) and Charlie Hope (lights), &#38;nbsp; &#38;nbsp;&#38;nbsp; Culturguest, Lisbon
02. Blue Veil Solo Brick Ballroom, Long Play Festival, NYC


01.&#38;nbsp;Does Spring Hide Its Joy &#38;nbsp; &#38;nbsp; &#38;nbsp; by Kali Malone ft Stephen O’Malley &#38;amp; Lucy Railton&#38;nbsp; &#38;nbsp; &#38;nbsp; Pioneer Works, Long Play Festival, NYCApil 2026&#38;nbsp;
25.&#38;nbsp;Blue Veil Solo Bristol New Music, UK11. Not A Word From Me&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; with Rebecca Salvadori (video) and Charlie Hope (lights), &#38;nbsp; &#38;nbsp;&#38;nbsp; De Singel, Antwerp
10. with Sam Slater, Rewire Festival, Amare, The Hague.&#38;nbsp;04. Blue Veil Solo BRDCST Festival, Vanhaerents Art Collection, Brussels

December 2025
09.&#38;nbsp;Blue Veil Solo Volkbuehne, Berlin&#38;nbsp;
November 2025
17.&#38;nbsp; New Solo Work Line Check Festival, San Fedele, Milan05.&#38;nbsp;Blue Veil Solo Kupellhalle, BerlinOctober 2025
25. &#38;nbsp;Not A Word From Me&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with Rebecca Salvadori (video) and Charlie Hope (lights),&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;SemiBreve, Braga, Portugal

23.&#38;nbsp;Blue Veil Solo Venice Music Biennale&#38;nbsp;
18. &#38;nbsp;Blue Veil Solo Festival Poesía en Voz Alta, Casa del Lago, Mexico City
11. &#38;nbsp;Blue Veil Solo Robot Festival, Bologna09.&#38;nbsp;Blue Veil Solo&#38;nbsp;Teatro dela Cometa, Rome&#38;nbsp;
04.&#38;nbsp;Not A Word From Me&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with Rebecca Salvadori (video) and Charlie Hope (lights), &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;De Singel, Antwerp

September&#38;nbsp; 2025
27. Petter Eldh’s Kammer Koma &#38;nbsp; &#38;nbsp; &#38;nbsp; (Otis Sandsjö, Per “Texas” Johansson, Ketija Ringa Karahona, &#38;nbsp; &#38;nbsp; &#38;nbsp; Kaja Draksler, Lucy Railton, Petter Eldh).&#38;nbsp; &#38;nbsp; &#38;nbsp; Generations Festival, Frauenfeld, Switzerland
07.&#38;nbsp; Residency with Alex Zhang Hungtai Providenza Corsica, France&#38;nbsp;
06. Blue Veil Solo Son Biennale, Switzerland
 
August 2025
26. Residency with Sarah Davachi&#38;nbsp;Whitney Johnson and Eyvind Kang, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;EMPAC, Troy, New York StateJuly 2025&#38;nbsp;
29. &#38;nbsp;GLIA by Maryanne Amacher with Bill Dietz, Darmstadt Festival
28. &#38;nbsp;GLIA by Maryanne Amacher with Bill Dietz, Darmstadt Festival&#38;nbsp;
June&#38;nbsp; 2025
14. &#38;nbsp;GLIA by Maryanne Amacher with Bill Dietz, KLANG Festival, Copenhagen
8.-12 Petit Residency with Lara Dâmaso, La Becque, Switzerland
May&#38;nbsp; 2025
31. &#38;nbsp;Music by Catherine Lamb&#38;nbsp;VANG festival, Madrid
28.&#38;nbsp;Blue Veil Solo&#38;nbsp;plus Ellen Arkbro solo Organ, St James's Church, London
23.&#38;nbsp;Does Spring Hide Its Joy &#38;nbsp; &#38;nbsp; &#38;nbsp; by Kali Malone ft Stephen O’Malley &#38;amp; Lucy Railton&#38;nbsp; &#38;nbsp; &#38;nbsp; Centro Cultural de Belém Foundation, Lisbon

18.&#38;nbsp; Interactive performance with&#38;nbsp;Bárbara Sánchez-Kanes’ Aguas Frescas MUDAM, Luxembourg03.&#38;nbsp;Soundwalk Collective with Patti Smith&#38;nbsp;Correspondences, Mode, Tokyo&#38;nbsp;

02.&#38;nbsp;Soundwalk Collective with Patti Smith&#38;nbsp;Correspondences, Mode, Tokyo&#38;nbsp;

April&#38;nbsp; 2025
29. Soundwalk Collective with Patti Smith&#38;nbsp;Correspondences, Kyoto. 
18. &#38;nbsp;Blue Veil album release&#38;nbsp;on Ideologic Organ &#38;nbsp; &#38;nbsp;&#38;nbsp;
09.&#38;nbsp;Blue Veil Solo album launch, Église de Saint-Esprit, Paris
March 2025
27.&#38;nbsp;GLIA by Maryanne Amacher with Bill Dietz, Bourse de Commerce, Paris
22.&#38;nbsp;Solo&#38;nbsp;Los Angeles 2220 Arts + Archives
20.&#38;nbsp;Solo&#38;nbsp;San Francisco The Lab
15.&#38;nbsp;Solo&#38;nbsp;Chicago, Bond Chapel
12.&#38;nbsp;Solo Brooklyn, Public Records
09.&#38;nbsp;Solo&#38;nbsp;Philadelphia, Solar Myth

07. Solo Montreal, Quai 5160

04.&#38;nbsp;Solo 316, Mexico City
Feb 2025
07. with Mabe Fratti&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; duo performance for Kuboraum and Tono Festival.&#38;nbsp; &#38;nbsp; &#38;nbsp; Art Week, Mexico City.&#38;nbsp;

02. Not A Word From Me&#38;nbsp; &#38;nbsp; &#38;nbsp; with Rebecca Salvadori (video) and Charlie Hope (lights), CTM Festival, &#38;nbsp; &#38;nbsp; &#38;nbsp; Radial System, Berlin.&#38;nbsp;
Jan 2025
29. Soundwalk Collective with Patti Smith&#38;nbsp;Correspondences, Sao Paulo.&#38;nbsp;
27. Soundwalk Collective with Patti Smith Correspondences, Buenos Aires.
25.&#38;nbsp;Soundwalk Collective with Patti Smith Correspondences, Santiago, Chile.
23. Soundwalk Collective with Patti Smith Correspondences, Medellin


Dec 2024
08. Derek Jarman’s BLUE&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with Simon Fischer Turner, Neil Bartlett, Travis Alabanza, Russell Tovey, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Jay Bernard and Joelle Taylor, Factory International, Birmingham. &#38;nbsp;
01. Derek Jarman’s BLUE&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; with Simon Fischer Turner, Neil Bartlett, Travis Alabanza, Russell Tovey, &#38;nbsp; &#38;nbsp; &#38;nbsp;Jay Bernard and Joelle Taylor, Southbank Centre, London.
&#38;nbsp;
Nov 2024
28.&#38;nbsp;Solo, Casa Montjuic Barcelona. 


24.&#38;nbsp;Harmonic Space performs Ellen Arkbro, Thomas Nicholson and James Tenney, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Huddersfield Contemporary Music Festival, UK.


23. Derek Jarman’s BLUE&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with Simon Fischer Turner, Neil Bartlett, Travis Alabanza, Russell Tovey, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Jay Bernard and Joelle Taylor, Dublin National Concert Hall, Ireland.&#38;nbsp; 


21.&#38;nbsp;GLIA by Maryanne Amacher with Bill Dietz, STUK, Leuven.


02. Derek Jarman’s BLUE&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with Simon Fischer Turner, Neil Bartlett, Travis Alabanza, Russell Tovey, &#38;nbsp; &#38;nbsp; &#38;nbsp; Jay Bernard and Joelle Taylor, Tramway, Glasgow. &#38;nbsp;


01.&#38;nbsp; Les Portails commission by INA-GRM, premier Akousma Festival, &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Maison de la Radio, Paris. 


Sept 2024
05. Subaerial with Kit Downes (hammond), Analogue Foundation, Zenner, Berlin.&#38;nbsp;
July&#38;nbsp; 2024

18. Solo, Nextones Festival Orridi di Uriezzo, Italy

June&#38;nbsp; 2024

01.&#38;nbsp;Solo, Kaiolafestivbala Bilbao&#38;nbsp;

May 2024
18. Blank Forms Residency Showing&#38;nbsp;new solo work.&#38;nbsp; &#38;nbsp; &#38;nbsp; Catherine Lamb’s Additive Arrow, with Jay Campbell (cello)
10. Blank Forms Eigth Anniversay Ukranian House, New York
03. Soundwalk Collective with Patti Smith Correspondences, Long Play, BAM, New YorkApr 2024
30. fragments of reincarnation&#38;nbsp;with Michiko Ogawa Oscillations Festival, Brussels

01.&#38;nbsp; Maryanne Amacher’s GLIA with Bill Dietz, Le Lelieu Unique, Nantes
 Mar 202424. &#38;nbsp;Soundwalk Collective with Patti Smith, Correspondences, Lisbon
23.&#38;nbsp; Soundwalk Collective with Patti Smith, Correspondences,&#38;nbsp; Braga
14.&#38;nbsp; Soundwalk Collective with Patti Smith, Correspondences, Onassis Stegi, Athens

13.&#38;nbsp; Soundwalk Collective with Patti Smith, Correspondences, Onassis Stegi, Athens
10. &#38;nbsp;Gaza benefit concert, Morphine Raum, Berlin
07.&#38;nbsp; Maryanne Amacher’s&#38;nbsp;GLIA with Ensemble Contrechamps, Ensemble Zchwischentöne &#38;amp; Bill Dietz, L’Auditori de Barcelona
06.&#38;nbsp;Maryanne Amacher’s GLIA&#38;nbsp;with Ensemble Contrechamps, Ensemble Zchwischentöne &#38;amp; Bill Dietz, L’Auditori de Barcelona
01. &#38;nbsp;Soundwalk Collective with Patti Smith, Correspondences, TBA

Feb&#38;nbsp;2024
28.&#38;nbsp; Soundwalk Collective &#38;amp; with Patti Smith, Correspondences, FIM, Guadalajara, Mexico

23.&#38;nbsp; Petter Eldh’s: Sample Mining, large ensemble, Bimhuis, Amsterdam

16.&#38;nbsp; &#38;nbsp;Kali Malone’s&#38;nbsp;Does Spring Hide Its Joy 
 ft Stephen O’Malley &#38;amp; Lucy Railton,&#38;nbsp;Scenkonstmuseet, Stockholm&#38;nbsp;

14. &#38;nbsp; Morton Feldman’s Patterns in a Chromatic Field with Joe Houston, Clothworkers Centenary Concert Hall, Leeds
12.&#38;nbsp; &#38;nbsp;Morton Feldman’s Patterns in a Chromatic Field with Joe Houston, King’s Place, London

1-3.&#38;nbsp;Margrét Sara Guđjónsđóttir’s Boundless Ominous Fields, Karolina Ginman &#38;amp; Marlon Moilanen,&#38;nbsp; Zodiak, Helsinki
Jan&#38;nbsp;2024
10-31.&#38;nbsp;Margrét Sara Guđjónsđóttir’s residency,&#38;nbsp;Boundless Ominous Fields, Karolina Ginman &#38;amp; Marlon Moilanen, Helsinki

Concerts 2023
Dec

15. &#38;nbsp;fragments of reincarnation&#38;nbsp;with Michiko Ogawa (shō), Cafe Oto, London

14. &#38;nbsp;fragments of reincarnation with Michiko Ogawa (shō), Anthony Burgess Foundation, Manchester

Nov

24. Solo,&#38;nbsp;Transmissions Festival XV, curated by Kali Malone, Ravenna, Italy

10.&#38;nbsp; Does Spring Hide Its Joy&#38;nbsp;by Kali Malone’s
 ft Stephen O’Malley &#38;amp; Lucy Railton, LeGuess Who?, Utrecht
04. Ellen Arkbro&#38;nbsp;&#38;amp; Johan Graden, band member, Berlin JazzFest

01. &#38;nbsp;Harmonic Space, Himera Festival, Turku

Oct


31. &#38;nbsp;Harmonic Space, Äänen Lumo, Helsinki

30. Harmonic Space, Afekt Festival, Tallin

28.&#38;nbsp;Harmonic Space, KM28,&#38;nbsp; Berlin&#38;nbsp;

27. &#38;nbsp;Subaerial&#38;nbsp;with Kit Downes (Organ), Sankt Peters, Koln

21. &#38;nbsp;Harm by Phill Niblock, Phill’s 90th Birthday celebration, Silent Green, Berlin

20. Trinity Form by Kali Malone, with Stephen O’Malley &#38;amp; Kali Malone, Venice Music Biennale

16. &#38;nbsp;GLIA by Maryanne Amacher with Ensemble Contrechamps, Ensemble Zchwischentöne &#38;amp; Bill Dietz, Venice Music Biennale

12. &#38;nbsp;Desensus Trio by Catherine Lamb with&#38;nbsp;Deborah Walker &#38;amp; Judith Hamann, Night of Surprises, Koln
06.&#38;nbsp;Cansu&#38;nbsp;Tanrıkulu and Lucy Railton Duo,&#38;nbsp;Fri Resonanz, Trondheim&#38;nbsp;
02. PRESSURE CHORDS, by John McGowen, JM &#38;amp; Weston Olencki, Morphine Raum, Berlin

Sept
16. Subaerial with Kit Downes (organ) &#38;amp; Kaja Draksler, OrgelPark, Amsterdam
07. fragments of reincarnation&#38;nbsp;with Michiko Ogawa (shō), KM28, Berlin

1-4. Margrét Sara Guđjónsđóttir Residency , Karolina Ginman &#38;amp; Marlon Moilanen, Helsinki
July
15.&#38;nbsp;'Subaerial' with Kit Downes, LuisenKirche, Berlin 
&#38;nbsp;14.  'Subaerial' with Kit Downes, NikolaiKirche, Berlin &#38;nbsp;

June
16. &#38;nbsp;Solo, Art Basel Messeplatz &#124; Basel
02.&#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s
 ft Stephen O’Malley &#38;amp; Lucy Railton &#124; MODE Festival &#124;  Tokyo&#38;nbsp;&#124; Yodobashi Church&#38;nbsp;

May&#38;nbsp;
30. Solo,&#38;nbsp;MODE Festival &#124; Tokyo &#124; Wall&#38;amp;Wall
20.&#38;nbsp;with Harmonic Space &#38;amp; Tashi Wada &#124; Berlin &#124;&#38;nbsp; Emmaus Kirche

April&#38;nbsp;
28. ‘Additive Arrow’ by &#38;amp; with Cat Lamb &#124;&#38;nbsp;Keith Rowe Celebration Festvial &#124; KM28 &#124; Berlin


21.&#38;nbsp;'Subaerial' with Kit Downes &#124; Gdansk
15.&#38;nbsp; Soundwalk Collective with Patti Smith ‘Correspondences’ &#124; Volksbühne &#124; Berlin
09.&#38;nbsp;Soundwalk Collective with Patti Smith ‘Correspondences’ &#124; Rewire Festival &#124; Den Haag02.&#38;nbsp;Eavesdropping&#38;nbsp; &#124; Solo &#124; London &#124; Cafe Oto


March&#38;nbsp;
21. ‘Does Spring Hide Its Joy' by Kali Malone’s
 ft Lucy Railton and Stephen O’Malley &#124; Paris&#38;nbsp;&#124; Eglise Saint Esprit

19. Edition Festival with Harmonic Space and Ellen Arkbro &#124; Stockholm&#38;nbsp;
18.&#38;nbsp;GLIA by Maryanne Amacher with Ensemble Contrechamps, Ensemble Zchwischentöne and Bill Dietz &#124; Bergen &#124; Borealis Festival


February
14. with Michiko Ogawa, Trio for Cello, Shō and Hammond (with Joseph Houston)&#38;nbsp;&#124; KM28&#38;nbsp;&#124; Berlin

11. with Cansu Tanrıkulu &#124; Brescia&#38;nbsp;&#124; Indica Festival
03.&#38;nbsp;GLIA by Maryanne Amacher with Ensemble Contrechamps,&#38;nbsp;Ensemble Zchwischentöne  and Bill Dietz &#124; Berlin &#124; CTM Festival
02.&#38;nbsp;GLIA by Maryanne Amacher with Ensemble Contrechamps,&#38;nbsp;Ensemble Zchwischentöne  and Bill Dietz &#124; Berlin &#124;  CTM Festival


Concerts&#38;nbsp; 2022 + 2021 ↓ &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp;
December

16.  'Subaerial' &#124; Copenhagen &#124; Konzertkirche &#124;
with Kit Downes
11. &#38;nbsp;‘Caves, Dwellings &#38;amp; Vibrations’ &#124; Nottingham Contemporary symposium weekend in collaboration with Ignota Books &#124; UK &#124;  Solo (acoustic)3.&#38;nbsp; &#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124; London &#124; Purcell Room2.&#38;nbsp; &#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s ft&#38;nbsp;Stephen O’Malley &#38;amp; Lucy Railton &#124; London &#124; Purcell Room 
 

Novemeber&#38;nbsp;
26. &#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124;&#38;nbsp;&#38;nbsp;La Biennale, Swiss Pavillion &#124; Venice &#124;  curated by Latifa Echakhch 

20. &#38;nbsp;Atonal X100 &#124; Berlin&#38;nbsp;&#124;  Festival dedicated to the music of Xenakis &#124; new work by Puce Mary, featuring Bill Kouligas, Lucy Railton.&#38;nbsp;

13.&#38;nbsp; &#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton&#38;nbsp;&#124;&#38;nbsp;Kortrijk &#124; Sonic Ears&#38;nbsp;
12.&#38;nbsp; &#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124;&#38;nbsp;Barcelona &#124; Mira Festival&#38;nbsp;
1-6. Residency at Centro Musica &#124; Modena &#124;&#38;nbsp; ‘Shadow Sequences’, new work for ensemble&#38;nbsp;

October
27. &#38;nbsp;Issue Project Room ‘Distant Pairs’ &#124; New York &#124; New work with Max Eilbacher, satelitte presentation27. &#38;nbsp; In-Situ &#124; Copenhagen &#124; Solo
16. &#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124; Amsterdam &#124; Sonic Acts&#38;nbsp;
13. &#38;nbsp;‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124;&#38;nbsp;Kraków &#124; Unsound&#38;nbsp;

7-9. ‘Forma’ INA - GRM acousmonium commission  &#124; Amsterdam &#124; Sonic Acts Het HEM &#38;nbsp;


September
24. OSA Festival &#124; Gdańsk &#124;  Solo&#38;nbsp;

23. Himera Festival &#124; Turku &#124;&#38;nbsp;Solo&#38;nbsp;

17. Stuttgart &#124;&#38;nbsp;(Re)treat&#38;nbsp;

15. Stuttgart &#124;&#38;nbsp;(Re)treat
08. &#38;nbsp;John McCowen &#38;amp; Weston Olencki&#38;nbsp; trio &#124; Berlin &#124; KM28  


August

26. Festival Météo &#124; Mulhouse &#124; Temple Saint-Jean &#124;&#38;nbsp;'Subaerial' &#124;
with Kit Downes
 

25. Festival Météo &#124; Mulhouse &#124;  Motoco &#124; Solo


July 
06.&#38;nbsp;Abgiail Toll’s ‘Matrices of Vision’ &#124; Berlin &#124; KW Klosterruine &#124; 
with Rebecca Lane &#38;amp; Evelyn Saylor
 
02. Morton Feldman’s Patterns in a Chromatic Field &#124;
with Joe Houston&#38;nbsp;&#124; Koln &#124; Sankt Peters 


June
 
30. Berlin &#124; KM28 &#124; Abgiail Toll’s ‘Matrices of Vision’&#38;nbsp;&#124;
with Rebecca Lane and Evelyn Saylor
 
20. Liverpool &#124;   Metal&#38;nbsp;&#124; solo set
 
18. Modern Love 20 Years&#38;nbsp;&#124; Manchester &#124; The White Hotel &#124; Solo   
17. Manchester&#38;nbsp;&#124; Burgess Foundation &#124;&#38;nbsp;Morton Feldman’s&#38;nbsp;&#124;
Patterns in a Chromatic Field with Joe Houston 
15. Cafe Oto Residency Day 2 &#124;
w/ Catherine Lamb, Rebecca Salvadori, Farida Amadou, John 
EdwardsLondon &#124; Cafe Oto&#38;nbsp; 
14. Cafe Oto Residency Day 1 &#124;
Group piece with Sophie Fetokaki, Caroline Kraabel, Sharon Gal. Morton Feldman’s Patterns in a Chromatic Field with Joe Houston London &#124; Cafe Oto&#38;nbsp;&#124;&#38;nbsp; 
08. Morton Feldman’s Patterns in a Chromatic Field&#38;nbsp;&#124;
with Joe Houston &#124;&#38;nbsp;Berlin &#124; KM28 


May
 
22. St. Elisabeth Kirche &#124; Tribute to Alvin Lucier &#124; Berlin &#124; 
with The Ever Present Orchestra

20.&#38;nbsp;   ‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124;&#38;nbsp;Oslo &#124; MUNCHMuseet&#38;nbsp;

April&#38;nbsp;
 
30.  ‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124;&#38;nbsp;Munich &#124; Haus der Kunst&#38;nbsp; 
29. Haus der Kunst Munich &#124; solo
 
25. 'Subaerial' &#124;
with Kit Downes &#124; London &#124;&#38;nbsp; St Johns Smiths Square
 
14.  'Subaerial' &#124;
with Kit Downes &#124; Stockholm &#124; St. Peters Kyrka
 
08. Duo with Farida Amadou&#38;nbsp;&#124; Brussels &#124; BRDCST Ancienne Belgique&#38;nbsp; 
05. (Postponed)&#38;nbsp;London &#124; Eavesdropping &#124; solo 

March

29.  'Janela do Inferno' 
with Pedro Maia &#124; Lisbon &#124; Teatro do Bairro Alto &#124;
11. 'Janela do Inferno' 
with Pedro Maia &#124; Braga &#124; Gnration  


February

25. Berlin &#124; Autopsi Pohl &#124; with Mopcut&#38;nbsp; (Audrey Chen, Julien Desprez, Lukas Koenig)

16. ‘Laments’ duo 
with Khyam Allami&#38;nbsp;&#124; Berlin &#124; KM28 &#38;nbsp;
04.&#38;nbsp;‘Additive Arrow’ duo 
with Catherine Lamb&#38;nbsp;&#124;  Berlin &#124; Wabe
 
03. 'Subaerial' 
with Kit Downes (Postponed)&#38;nbsp;&#124;&#38;nbsp;Arkhangelsk, Russia &#124; Philharmonic Hall  
01.&#38;nbsp; 'Subaerial' 
with Kit Downes &#124; (Postponed)&#38;nbsp;Murmansk, Russia &#124; Philharmonic Hall&#38;nbsp;


January


26. ‘Forma’&#38;nbsp;&#124;Le Mans &#124; GRM Concert at Le Mans Sonore  
14.    ‘Does Spring Hide Its Joy' by Kali Malone’s
 ft  Stephen O’Malley &#38;amp; Lucy Railton &#124; Oslo &#124; MUNCHMuseet &#124;&#38;nbsp;All Ears Festival&#38;nbsp;
08. 'Janela do Inferno' with Pedro Maia &#124; (Postponed)&#38;nbsp;Braga&#38;nbsp;   
07.&#38;nbsp; 'Janela do Inferno' with Pedro Maia &#124; (Postponed)&#38;nbsp;Lisbon 
Concerts &#124; 2021&#38;nbsp;↓
December

15. London &#124; Cafe Oto &#124;&#38;nbsp;Residency Day 2 &#124;&#38;nbsp; w/ Catherine Lamb, Rebecca Salvadori, Farida Amadou and John Edwards
14. London &#124; Cafe Oto&#38;nbsp;&#124;&#38;nbsp;Residency Day 1 &#124; Group piece with Sophie Fetokaki, Caroline Kraabel, Sharon Gal. Morton Feldman’s Patterns in a Chromatic Field with Joe Houston
 

10. Spain &#124; ABANCA Santiago de Compostela &#124; Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley&#38;nbsp;

06. Mardeira &#124;&#38;nbsp;MadeiraDig Festival &#124; Solo Set&#38;nbsp;Cancelled by the organiser 

02. Paris &#124; Pinault Collection &#124; Derek Jarman’s Deep ‘Blue’ &#124; directed by Simon Fisher Turner, w/ SFT,
Klara Lewis, Lili Kim and Black Sifichi

November

18. Zurich &#124; Schaulspielhaus, &#124; Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley&#38;nbsp;
01. Brussels &#124; Bozar &#124; Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley&#38;nbsp;

October
31. Berlin &#124; KM28 &#124; with Heather Frasche
26. Dublin &#124; Kit Downes' 'Dreamlife of Debris' &#38;nbsp;
24. Cork City &#124; Kit Downes' 'Dreamlife of Debris' &#38;nbsp;
23. Laois &#124; Kit Downes' 'Dreamlife of Debris'&#38;nbsp;
 20. Tinahley &#124; Kit Downes' 'Dreamlife of Debris'
 19. Dublin &#124; Kit Downes' 'Dreamlife of Debris'
 18. Kildare &#124; Kit Downes' 'Dreamlife of Debris' &#38;nbsp;
17. Donegal &#124; Kit Downes' 'Dreamlife of Debris' &#38;nbsp;
15.  Salzburg &#124; Kollegienkirche &#124;&#38;nbsp;'Subaerial' with Kit Downes
14. Ljubljana &#124;&#38;nbsp;Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley&#38;nbsp;
09. Belgium &#124; STUK &#124; Duo with Khyam Allami 
02. Berlin &#124; Wasserturm &#124; Solo installation - Hydroacoustics 01. Donau &#124; Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley&#38;nbsp;

September
19. Berlin &#124;  ZKU &#124; Radio piece for Picnic FM
 18. Rotterdam &#124; Oude Kerk &#124;  ‘Suabaerial’ with Kit Downes
 
17. Tilburg &#124; Paradox &#124; Kit Downes' 'Dreamlife of Debris' &#38;nbsp;
16. Amsterdam &#124; Bimhuis &#124; Downes' 'Dreamlife of Debris' 
11. Stavanger &#124; RIMI &#124; Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley&#38;nbsp;
10. Stavanger &#124; RIMI/IMIR &#124; Solo 
04.&#38;nbsp; Koln &#124; Christian Lillinger’s 'Open Form For Society' 
01.&#38;nbsp; Aarhus &#124; Alter Festival&#38;nbsp;Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley

August
26. Bratislava &#124; A4 &#124; Forma set &#38;nbsp;
20. Siena &#124; Chigiana International Festival &#124; Solo 
 
18.&#38;nbsp; Vienna &#124; Unsafe+Sounds Festival &#124; Solo 
16.&#38;nbsp; Release:&#38;nbsp; ‘Subaerial’, (Lucy Railton, Kit Downes) on SN Variations

July
31. Berlin &#124; A’Larme Festival &#124;&#38;nbsp;Kali Malone’s
 ‘Does Spring Hide Its Joy' ft Lucy Railton and Stephen O’Malley 
30. Berlin &#124; A’Larme Festival &#124; Radial System&#124; 'Subaerial'&#38;nbsp;with Kit Downes  
20. Poland &#124; Lodz International Platform&#124; 'Subaerial' with Kit Downes  
17. Azores &#124; Walk &#38;amp; Talk Festival &#124; 'Janela do Inferno' with Pedro Maia 
June
26. Berlin &#124; Konzerthaus &#124; Harmonic Space Orchestra &#124; music by Catherine Lamb
 
May
Alvin Lucier's 90th Birthday at ISSUE PROJECT ROOM, solo version of 'I am Sitting in a Room' (MONOM) and string quartet version with the Ever Present Orchestra of 'IASIAR' (ZKM), streamed

April

09. ‘PDP III’ (Britton Powell, Huerco S, Lucy Railton) on Shelter Press
01.-30. Mentor for Amplify Berlin

March
31.&#38;nbsp; Radio show with Apartment Project &#38;amp; Errant Sound initiative 'AARC: artists against racism collaborative', for Refuge Radio Worldwide&#38;nbsp; 
25. Radio show for L'Experimentale on Radio France, interviewed by Francois Bonnet, featuring the music of Khyam Allami, Jacques Coursil, Morton Feldman, Sofia Jernberg and Catherine Lamb
14. Presentation for Kraak Radio Festival, new work
January 
29. CTM with Khyam Allami 'Apotome Live' with Faten Kanaan, Nene H, Tot Onyx, Enyang Ha, Tyler Friedman


Concerts 2020 2019 2018 and previous


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	<item>
		<title>Projects</title>
				
		<link>https://lucyrailton.com/Projects</link>

		<pubDate>Tue, 25 Feb 2020 13:47:07 +0000</pubDate>

		<dc:creator>lucyrailton</dc:creator>

		<guid isPermaLink="true">https://lucyrailton.com/Projects</guid>

		<description>CURRENT PROJECTS

&#60;img width="2067" height="3041" width_o="2067" height_o="3041" data-src="https://freight.cargo.site/t/original/i/e79c74256c5e547ea7623077d3ac4e2fe0199d6c9b397a801920d8b06f015d66/Lucy-Railton-by-Matt-Creed-colour.jpg" data-mid="229790474" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/e79c74256c5e547ea7623077d3ac4e2fe0199d6c9b397a801920d8b06f015d66/Lucy-Railton-by-Matt-Creed-colour.jpg" /&#62;

	
Solo
 

	‘Blue Veil’ live. released Ideologic Organ, 2025.
&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/1e75c65b5bc61cf72f6e3d57b806e312b338e8c63f24a942a4926622f70e0298/CTM-live-show-screenshots-62.png" data-mid="229790472" border="0"  src="https://freight.cargo.site/w/1000/i/1e75c65b5bc61cf72f6e3d57b806e312b338e8c63f24a942a4926622f70e0298/CTM-live-show-screenshots-62.png" /&#62;


	Solo
 

	‘Not A Word From Me’&#38;nbsp;live, with Rebecca Salvadori (video) and Charlie Hope (Lights)Photo: Jesse Hunniford&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/893ce7c5adb55e14dfc7c3990144aac3a066fa411aa32c2611484425d6fc9cc9/BLUE-photo.jpeg" data-mid="227391753" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/893ce7c5adb55e14dfc7c3990144aac3a066fa411aa32c2611484425d6fc9cc9/BLUE-photo.jpeg" /&#62;

	Derek Jarman’s BLUE NOW&#38;nbsp;

 
&#60;img width="1170" height="814" width_o="1170" height_o="814" data-src="https://freight.cargo.site/t/original/i/8db02bc224a88a2bd43177de27478a37f1373a5dc1ffe8fa03e23388432bbe35/IMG_7581.jpg" data-mid="227391800" border="0"  src="https://freight.cargo.site/w/1000/i/8db02bc224a88a2bd43177de27478a37f1373a5dc1ffe8fa03e23388432bbe35/IMG_7581.jpg" /&#62;

	Soundwalk Collective with Patti Smith ‘Correspondences’
 

	&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/71eed1ff01ef4050ab3637d41e473ea7d8c0edd6447d4a7aa2a1cd7a93d7bea4/Lucy-Railton-and-Kit-Downes-DUO-c-Alex-Bonney.jpg" data-mid="148248068" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/71eed1ff01ef4050ab3637d41e473ea7d8c0edd6447d4a7aa2a1cd7a93d7bea4/Lucy-Railton-and-Kit-Downes-DUO-c-Alex-Bonney.jpg" /&#62;

	Kit Downes + Lucy Railton
 

	Church organ / cello.‘Subaerial’ was released on SN Variations 2021.Photo: Alex Bonney

	&#60;img width="808" height="511" width_o="808" height_o="511" data-src="https://freight.cargo.site/t/original/i/44e789444c9a36c483800f70211b696b7e8b46a64d76e24097e61946b705b35a/DSHIJ-Chris-fullard.png" data-mid="148250116" border="0" data-scale="100" src="https://freight.cargo.site/w/808/i/44e789444c9a36c483800f70211b696b7e8b46a64d76e24097e61946b705b35a/DSHIJ-Chris-fullard.png" /&#62;

	Kali Malone’s ‘Does Spring Hide Its Joy’Kali Malone (composition/sine waves) Stephen O’Malley (guitar)Lucy Railton (cello)
More infoPhoto by Chris Fullard


&#60;img width="549" height="412" width_o="549" height_o="412" data-src="https://freight.cargo.site/t/original/i/5c6c7eb42ae635ef69fd79d4cd5970fa8068aef2063aa630c057ff1f63f85fb7/amacher.jpeg" data-mid="148887367" border="0"  src="https://freight.cargo.site/w/549/i/5c6c7eb42ae635ef69fd79d4cd5970fa8068aef2063aa630c057ff1f63f85fb7/amacher.jpeg" /&#62;
	Maryanne Amacher’s&#38;nbsp; ‘GLIA’ for 7 instruments and electronics. With Ensemble Contrechamps and members of Zwischentöne, directed by Bill Dietz&#60;img width="1555" height="1002" width_o="1555" height_o="1002" data-src="https://freight.cargo.site/t/original/i/1c8e2ea47848c90c6e01991048fe3963ea27499cc09de52eebfed3fbf864b1eb/w_t21_janela_do_inferno_filipa_couto_27.jpg" data-mid="150521760" border="0"  src="https://freight.cargo.site/w/1000/i/1c8e2ea47848c90c6e01991048fe3963ea27499cc09de52eebfed3fbf864b1eb/w_t21_janela_do_inferno_filipa_couto_27.jpg" /&#62;
	Janela do Inferno Audio visual work Colloaration with film maker, Pedro Maia, 2021.&#38;nbsp; 35’ live film.&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/dd02c46241ad1b6433f31142320c87db0a33d9441560cd2a9bb5f565f91329c6/Patrick-Troo.jpg" data-mid="148248000" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/dd02c46241ad1b6433f31142320c87db0a33d9441560cd2a9bb5f565f91329c6/Patrick-Troo.jpg" /&#62;
	‘Forma’ Multichannel tape and live cello. Commissioned by INA GRM  Released on Editions Mego / INA GRM Portraits Series 2020&#60;img width="6299" height="3543" width_o="6299" height_o="3543" data-src="https://freight.cargo.site/t/original/i/474dd8ecedb793c45ca06ca7b7557b6149b4c4a958f0df6e8d9ee8735168cd71/06_HSO_kindl_MLee.jpeg" data-mid="148570056" border="0"  src="https://freight.cargo.site/w/1000/i/474dd8ecedb793c45ca06ca7b7557b6149b4c4a958f0df6e8d9ee8735168cd71/06_HSO_kindl_MLee.jpeg" /&#62;
	
Harmonic SpaceRational intonation ensemble in BerlinPhoto: Mareike Yin-Yee Lee
PAST PROJECTS

	
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/7af5125af5e8fa959e7050b06dc7474cde7443d59ea2fcb1535d15a5e331244f/etrmd-photo-somerset-house.jpg" data-mid="148584887" border="0" alt="fdsfds" data-caption="fdsfds" src="https://freight.cargo.site/w/1000/i/7af5125af5e8fa959e7050b06dc7474cde7443d59ea2fcb1535d15a5e331244f/etrmd-photo-somerset-house.jpg" /&#62;

	‘Everything that rises must dance’Composer and co-creator with choreographer Sasha Milavic Davies &#38;nbsp;200 women participatory dance show produced by Complicité TheatrePast performances: Dance Umbrella London, Somerset House 2018 Hong Kong Arts Festival 2019Photo: Ali Wright

&#60;img width="1671" height="1045" width_o="1671" height_o="1045" data-src="https://freight.cargo.site/t/original/i/5d2f2e40be2933e33fe229c45903008cc503fb2456a4d4a3c846440014d9daf8/IMG_7229.JPG" data-mid="148249449" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5d2f2e40be2933e33fe229c45903008cc503fb2456a4d4a3c846440014d9daf8/IMG_7229.JPG" /&#62;
	Peter Zinovieff + Lucy RailtonElectroacoustic composition and live performance. Our music ‘RFG Inventions for cello and&#38;nbsp; computer’ was released on PAN 2020.
&#60;img width="1170" height="1654" width_o="1170" height_o="1654" data-src="https://freight.cargo.site/t/original/i/75dd8547e6a3bfc92e51a3d50bc9d04bbe9ed6e4968a469a79561979b376b757/Kammerklang-mary-jane-leach-.jpeg" data-mid="148886856" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/75dd8547e6a3bfc92e51a3d50bc9d04bbe9ed6e4968a469a79561979b376b757/Kammerklang-mary-jane-leach-.jpeg" /&#62;
	Kammer Klang series, Cafe OTO, London
 Founder, programmer 2008-13, 16-17, 17-18With Serge Vuille and Emily MoorePoster: Ismini Asama

	&#60;img width="1620" height="1080" width_o="1620" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c660a046bf65c14010db9d688177a0e43ed0f33c78f2491d5c8c32db6cb68db3/DSXU6906.jpg" data-mid="148885860" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c660a046bf65c14010db9d688177a0e43ed0f33c78f2491d5c8c32db6cb68db3/DSXU6906.jpg" /&#62;
	London Contemporary Music Festival 
2013, 2014, Bernard Parmegiani Retrospective 2014, 2015
 Co-founder and co-director and curator, with Igor Toronyi-Lalic, Sam Mackay and Aisha Orazbayeva.Photo: Dmitri Djur
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